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Music - Bedrock 66 Live Season 3

     
 

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September 24

Sangamon Valley Roots Revival 10th Anniversary Show

 

 

Big Sandy
Big Sandy and His Fly Rite Boys

Since forming in 1988, Big Sandy & His Fly-Rite Boys have emerged as one of the world's most respected practitioners of American roots music, western swing, rockabilly, and traditional country—playing it like they invented it. "I think of us as just a rock and roll band, a rock and roll band that's letting the roots show," says bandleader Big Sandy. Whether they're playing the Grand Ole Opry, Late Night With Conan O'Brien, or simply climbing out of a bus after rolling into your town, these guys are bringing us some great old-time rock and roll.

The first lyric on their newest release, Turntable Matinee, commands us to "Drop the needle in the groove and start to move!" That opening track—"The Power of the 45, Part 1"—is a dance call to arms as well as a love song to the group's musical influences.

two tons of steel

Two Tons of Steel

If there's one thing Texans love, it's a good party. But if you ask self-respecting Lone Star carousers what turns a bash into a blast, they won't say beer or barbecue. They know it all comes down to the music. And there's one band that can rouse revelers like no other: Two Tons of Steel.

Two Tons' rambunctious brand of country-rooted rock has been inspiring listeners in the great republic — and far beyond — for more than two decades, and with its 10th album, NOT THAT LUCKY, the band is ready to throw its weight around even more.

NOT THAT LUCKY, which reached #4 on the Americana Music Charts in Sept/Oct 2009 is the band's first studio album since 2005's VEGAS (which ranked among the top 20 Americana albums for 2006) is its fourth helmed by Lloyd Maines, Texas' most in-demand producer (the Flatlanders, Dixie Chicks, Pat Green, James McMurtry). Explaining why he always clears his schedule for Two Tons of Steel, Maines simply declares, "They're one of the best bands in Texas."

Tickets - $15 | at the door - $20

December 4

Sonny

Sonny Burgess

aka: Albert Austin Burgess

Original Sun Records Recording Artist

Sun Records

Albert Austin “Sonny” Burgess is best known as one of the original rock and roll recording artists for Sun Records in Memphis, Tennessee, and as one of the pioneers of rock and roll. He and his band, the Pacers, made a hit of his first recording, “Red Headed Woman,” and the flip side, “We Wanna Boogie,” both of which Burgess wrote. The record sold approximately 100,000 copies, a phenomenal number for that era. Burgess and the Pacers are still performing at various events in the United States and Europe.

Sonny Burgess was born on May 31, 1929, in Newport (Jackson County). His parents, Albert and Esta Burgess, raised him, his two brothers, and his three sisters on their farm near Newport. Burgess graduated from Newport High School in 1948. In 1950, he and three friends formed a boogie-woogie band they called the Rocky Road Ramblers. Those three friends were Kern Kennedy, Johnny Ray Hubbard, and Gerald Jackson. Both Hubbard and Kennedy became members of the original Pacers. In 2005, Kennedy was still with the Pacers, Jackson was the mayor of Tuckerman (Jackson County), and Hubbard was retired and living in Newport.

In 1954, following a stint in the Army (1951–53), Burgess re-formed the band, calling them the Moonlighters after the Silver Moon Club in Newport, where they performed regularly. The Silver Moon was part of a circuit—including the B&I Club, Mike’s 67 Club, and Porky’s Roof Top Club—in the Newport area made by many up-and-coming performers. Stars such as Elvis Presley, Carl Perkins, Charlie Rich, Jerry Lee Lewis, and Conway Twitty got their start on the Newport club circuit.

At that time, Elvis Presley was performing in clubs and school gyms to promote his releases, and the Moonlighters opened for him four times. Elvis liked what he heard and told Sonny the band should go to Memphis and talk to Sam Phillips of Sun Records. They followed his advice, and Phillips told them to get a larger band together and come back. Thus, the Pacers were born, consisting of Kennedy on piano, Hubbard on upright “slap” bass, Russ Smith on drums, Joe Lewis on guitar, and Jack Nance on trumpet. Burgess provided the vocals and played guitar. Lewis came up with the new name for the band, inspired by the Pacer airplane. They played rhythm and blues and boogie-woogie type music. Sonny and the Pacers returned to Memphis and recorded “Red Headed Woman” in 1955. The record, personally recorded by Sam Phillips, was released in 1956, and they were on their way to fame.

As popular as their recordings were, they did not compare with the band’s energetic live show, unparalleled by the performers of that era. Their show included gyrating, stage sliding, and acrobatics. They even formed a human pyramid in the center of the dance floor without missing a beat in their music. They also had an act they called “Bug Dance,” in which they jumped into the audience while performing. Burgess was known, too, for his red hair, dyed to match his candy-apple red Fender guitar and his red suit.

Burgess married Joann Adams in 1956, and they raised two sons, Peyton and John.

Sonny Burgess and the Pacers continued recording with Sun Records until 1959. In those four years, they recorded five singles. In addition to their first record, they recorded “Thunderbird,” “Ain't Got a Thing,” “My Bucket’s Got a Hole In It,” and “Sadie’s Back in Town.”

Burgess left the band in 1960 and began working with Conway Twitty, who was raised in Phillips County. He left Twitty in 1965 and formed his own band, the King’s Four. In 1972, he got what he called “a real job” as a salesman, and the King’s Four broke up in 1974. Burgess continued working as a salesman and playing music on the side until 1986, when he was invited to a show in Washington DC that included rockabilly music, where he made a big hit. After that, Burgess traveled all over the world and became a sensation in Europe.

In 1999, Burgess was inducted into the Rock and Roll Hall of Fame of Europe. In 1998, the Smithsonian Institute made a video called “Rockin’ on the River” that brought Burgess and the Legendary Pacers together again. In addition to Kennedy, the group now included Bobby Crafford, Jim Aldridge, Fred Douglas, J. C. Caughron, and Charles Watson II. They made two album-length recordings in the late nineties: They Came from the South and Still Rockin’ and Rollin’. In 2002, they were inducted into the Rockabilly Hall of Fame in Jackson, Tennessee. In 2005, they performed at numerous events in Arkansas, Texas, and Tennessee and toured Europe.

Between performances, Burgess and his wife live in Newport, where he has spent most of his life. He currently hosts a radio show, We Wanna Boogie, for KASU in Jonesboro (Craighead County).

 

For additional information:
Escott, Colin. Roadkill on the Three-chord Highway: Art and Trash in American Popular Music. New York: Routledge, 2002.

“Sonny Burgess.” Delta Boogie. http://www.deltaboogie.com/deltamusicians/burgess (accessed January 23, 2006).

Sonny Burgess and the Legendary Pacers. http://www.legendarypacers.com (accessed January 23, 2006).

Mars Attacks

Mars Attacks

 

Formed in 1998, this Austria/Swiss based band released their debut CD/LP "...Run For Your Life!" in 1999. They later released "Snatch It & Grab It" in 2000 (4-track vinyl EP), "Dirty Tricks" in 2003 (CD/LP), the concept album "Circle of Love" (CD/LP) in 2006, followed by their current release “FOLLOW ME!” (CD/LP on Blue Lake Records).

Over the years, the boys have been rockin' all over Europe. They recently added Moscow/Russia to their list. They've also made appearances at UK's Hemsby Rock n Roll Weekender & The Rockabilly Rave, USA's Rockin' 50's Fest II & III (WI), Rhythm Bound (CA) and toured all over the U.S.

They've backed up SUN Records legends Sonny Burgess & Billy Lee Riley as well as Narvel “The Marvel” Felts and "Rockabilly Filly" Rosie Flores.

Their stage show consists mostly of originals (including trumpet) and a selection of rockabilly classics. Each live performance is a special encounter – or should we say a special encounter of the third kind.

Tickets - $15 | at the door - $20

 

“…the lineup for next year is nothing short of fantastic.”Tom Irwin, Illinois Times

 

June 12

There's no question why they gave Joe Kubek the nickname "Smokin'". He's one of the hottest electric guitar players on the blues scene today. Kubek has the technique and the chops to burn up any stage and has been doing so for the past 30 years. A guitar prodigy at the age of 14, the Texas guitar slinger frequented the Dallas bar scene during the 1970's and early 80's playing with Stevie Ray Vaughan and people like the three Kings, B. B., Albert and Freddie. He played rhythm guitar behind Freddie King for a while, until King's death in December 1976.

Kubek didn't hit his stride, however, until he teamed up with jazz guitarist and singer Bnois King of Monroe, Louisiana, in 1989. This union began during a regular Monday-night gig in Dallas when Kubek invited King to sit in and found that King's softer, jazz-based guitar and vocals perfectly complemented Kubek's headier rock-inspired guitar work. The combination just clicked, resulting in a seamless mesh of styles. more..

Tickets - $15 | at the door - $20

 

 

 

 

 

Tickets to individual shows are available from the Hoogland Center Box Office
at 523-2787.
$15 in advance, slightly higher "at the door"

performances begin at 8:00pm, unless otherwise noted

 

 

 

 

 



 

 

 


 
   

 

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PREVIOUS PERFORMANCES:

Don't worry if you missed some of the 2008 season... WUIS is airing the shows on the radio! The broadcasts of the 2008 season will begin on WUIS 91.9 FM on Saturday, January 10 with Robbie Fulks. They'll continue every Saturday evening at 7pm through March.

 

Click here for the Season One rebroadcast schedule.

Click here for more information on past shows.

 

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